2/2/2024 0 Comments Plastic vallum![]() This is one of the most durable types of plastic. It’s often used as a liner inside beverage cartons, and in corrosion-resistant work surfaces and other products.Įxamples: Plastic/cling wrap, sandwich and bread bags, bubble wrap, garbage bags, grocery bags and beverage cups. 4) Low-Density Polyethylene (LDPE)Ī softer, clearer, and more flexible version of HDPE. ![]() On the flip side, we must note that PVC is the most dangerous plastic to human health, known to leach dangerous toxins throughout its entire lifecycle (eg: lead, dioxins, vinyl chloride).Įxamples: Plumbing pipes, credit cards, human and pet toys, rain gutters, teething rings, IV fluid bags and medical tubing and oxygen masks. It’s also widely used in medical applications because it’s impermeable to germs, is easily disinfected and provides single-use applications that reduce infections in healthcare. This hard and rigid plastic is resistant to chemicals and weathering, making it desired for building and construction applications while the fact that it doesn’t conduct electricity makes it common for high-tech applications, such as wires and cable. Medical bags and tubing are a common Polyvinyl Chloride product. The first step is to simply know the core basics for the types of plastic that we most encounter, numbered according to their recycling codes. But the key word there is “complexity.” It’s a huge topic, so this article is just a starting point, meant to be a basic introduction for those that have little to no knowledge, not a comprehensive look for those already in the know. Having knowledge of the different types of plastic is critical to understanding the complexity of recycling, upcycling and the health factors associated with plastic. Humanity has certainly benefited from it in some ways and you can even make arguments that support that it’s also been beneficial to the environment – although in very specific examples.ĮNJOY THIS KIND OF CONTENT? PLEASE DONATE TO SUPPORT MORE OF IT. Therefore, I say let’s try to better understand it, rather than ignore it or simply bash it. While we believe that plastic alternatives are a must, and support initiatives to develop them, the reality is that plastic is here and will be for some time. In fact, there are hundreds of types of plastic (also called polymers), but only a handful that we interact with on a regular basis. However, it’s understandable that many people make the assumption that it’s one material, all the same from top to bottom. I then layered the prints and combined them with stitched marks into a dimensional image.In our continuing effort to provide educational resources on plastic pollution and sustainability, we thought we would address one of the most common questions we receive: Isn’t plastic all the same? In short … no. In the print Night Tracking #1, I first made multiple prints from two photo-etched plates-one bearing an image of a figure using a spotlight to search for wildlife, and the second of a shadow created by one of my mobile sculptures on a wall-onto cloth mesh and silk. Over the years I have taken classes or taught myself skills in pattern-making, stitching, kiln-formed glass, basketry, cast and formed paper, photography and printmaking. In the early part of my career, I also worked as a carpenter renovating houses acquiring skills in building re-design and material problem-solving. My figurative art school training in sculpture at BU school of fine arts instilled a passion for drawing and the corporal along with a proficiency in clay, plaster, wood, and print media. I have always liked working with my hands and as a teen I made my own clothing and drew. Changing circumstances and environments in childhood and travel as an adult influenced an interest in making works of art that imply a physical journey through the layers of story, structure and space. ![]() I have developed skills over the years in a wide range of media out of curiosity for exploring the unknown. These layers are reiterated, revealed and obscured in order to allow light and shadow to become part of the image, resulting in an implication of movement, a sense of depth and permeable space, and a shift of perspective. I use thread and waxed linen both as joinery and as mark-making or drawing. My sculpture, prints and drawings are constructed in structural layers which rely on information obtained from observational drawing and photography. In my studio, I alternate between sculpture, drawing and printmaking in order to allow for new perspectives and ideas to emerge in the development of each body of work. My work focuses on moments of physical transition referencing the built environment and forces of nature.
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